The story I heard was that 44.1 kHz was deliberately chosen to be incompatible with pro gear at 48 kHz, either to make digital duplication harder for consumers or to keep studios from buying cheap ...

This week, Sony unleashed a battery of expensive audio gear that claims to support “high-resolution audio” which, like “ultra high-definition” in the video world, sounds pretty snazzy. But what does ...

A regular reader of this column would correctly surmise that the author considers audio to be a very important part of television. We are well into the digital age in television audio and video now, ...