F1: The Movi e marks the third racing feature that Hans Zimmer has scored — following 1990’s Days of Thunder and 2013’s Rush ...

Nelson agrees that Kosinski usually has "at least one or two waiting in the wings," and first heard about the possibility of a drama about Formula One racing while he was working on Spiderhead. "Joe ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on "F1." They weren't the only key audience, however. "We wanted to ...

The first race in F1: The Movie, at the British Grand Prix at Silverstone, results in a spectacular double crash that illustrates just how disastrously things can go when you don’t work together.

The team radio editing suite at F1's Media and Technology Centre. Alex Kalinauckas / The Athletic This article is part of our Forever Forward series, showcasing the ways Formula 1 is innovating for ...

Max Verstappen has shared his verdict on the audio recordings of the 2026 Formula 1 engines, claiming they sound "crisp".

Talking surprising race car sounds, 'dirty air' and more with the 'F1' sound design team. Sound editor Al Nelson and re-recording mixer Gary Rizzo share their long history working with director Joseph ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...