Somewhere in the stratosphere between Ohio and New York, cumbersome bodies bumping against pockets of turbulence, my mind ...

The late artist Carole Caroompas was once asked why rock and roll provided such generative source material for her paintings ...

Paula Mejía is a Colombian American writer and editor from Houston, Texas. Her writing on arts and culture has appeared in the New Yorker, GQ, the Atlantic, Texas Monthly, the New York Times Magazine, ...

I sat in the last row of the bus, watching the scenery dissolve into dusk, each passing moment echoing the temporal experience I’d ...

Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though his most renowned artworks are in the next gallery along with his clownish public ...

No one likes being called an amateur, a dilettante, a dabbler. “Unprofessional” is an easy insult. The professional always makes the right moves, knows the right thing to say, the right name to check.

Not very long ago I read Toni Morrison’s Home. This, her tenth novel, chronicles the wayward journey of a young war veteran, Frank Money, making his way back home to Georgia. The novel reroutes the ...

In April, I wrote a review of an exhibition at the Hammer Museum at UCLA: “Jimmie Durham: At the Center of the World.” I knew Durham’s work only vaguely, having seen it in dribs and drabs, one piece ...

Shelly Mars has always been interested in what we should not talk about, and as a result, she has for the past forty years faced constant criticism and pushback. Nonetheless, the multifaceted ...

As New York galleries reopened after the first wave of lockdowns, I noticed a trend across a handful of exhibitions that channeled the alienation and heartbreak of our moment. Their artists were each ...

There’s been much talk of Ambera Wellmann’s show Logic of Ghosts at Kraupa-Tuskany Zeidler, but not much talk of her paintings. For in filling the prime Gallery Weekend spot at the hip Berlin ...