Pete Docter says Pixar will concentrate on more commercially appealing films after staff dissent over deleted scenes that implied lead character was gay Pixar chief creative officer Pete Docter said ...
In 2020, We Bare Bears creator Daniel Chong came to Pixar leaders with an idea. He had seen documentaries in which robotic animals with eyeball cameras captured footage of natural habitats. But what ...
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New blood and some returning faves are all being cooked up over at Pixar and hitting theaters in the near future. Reading time 2 minutes As audiences flock to see Hoppers, Pixar is already looking at ...
Pixar originals are bouncing back at the box office. The studio's latest animated adventure "Hoppers," about a girl who transfers her mind into a robotic beaver, earned $46 million in its opening ...
Pete Docter, chief creative officer at Pixar and director of “Monsters Inc.,” “Up” and “Inside Out,” recently told the Wall Street Journal why the studio decided to completely overhaul 2025’s “Elio” ...
The Wall Street Journal ran a profile on Pixar studio head Pete Docter this week, revealing, among other things, that the Disney-owned studio is gearing up to indulge its sequel fixations with a third ...
The animation company's chief creative officer said they did not want their film to force parents to have conversations they weren't ready to discuss with their children. By McKinley Franklin Pixar‘s ...
This is read by an automated voice. Please report any issues or inconsistencies here. Pixar’s new animated film “Hoppers” centers on a human who “hops” her consciousness into a robotic animal’s body, ...
Gabrielle Ulubay is a Music writer at Collider. She has previously been published in The New York Times, Bustle, HuffPost Personal, and other magazines, and wrote at Marie Claire for nearly three ...
Pixar Chief Creative Officer Pete Docter admitted in a recent interview that he ordered the removal of gay content from his studio’s 2025 animated film Elio because “some parents didn’t want ...
“Toy Story” was released a few weeks after I turned 11. And like most children of the 90s, I was obsessed. But my relationship with Pixar has basically mirrored that of Andy and his toys: I have good ...
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