As reports surface about efforts to establish a federal moratorium that would limit state-level regulation of artificial ...

Keesha Sharp is a Director with credits such as Are We There Yet?, Lethal Weapon, Black Lightning, The Last O.G., Our Kind of People, Charmed, All American: Homecoming, Found, Chicago P.D., and ...

Director Mary Lou Belli discusses her work in television directing, how teaching and instruction has enriched her career, and her Guild involvement in Committees and Negotiations cycles. Raised in a ...

The DGA membership meeting in Chicago, IL provided an opportunity for members to network with their peers, meet staff, and ...

As a guest Director working across different shows, it is important to have a clear understanding of what the role of an Assistant Director is and to have expectations for what the working partnership ...

The 2025-2026 DGA Commercial Rate Cards are now available online in the Contracts section. The new rate card reflects a 3% wage increase for all DGA-covered positions (Directors, UPMs, and Assistant ...

In this popular feature, a director talks about a film particularly close to their heart, why the creative choices are inspired, how it influenced their own work, and why the movie continues to ...

As part of the DGA’s ongoing efforts to educate members on their contractual rights, in this article we’re highlighting work ...

The long overdue modernization and expansion of California’s Film and Television Tax Credit, the renewal of the New York Film ...

For eight decades, the Directors Guild Foundation (DGF) has continued a rich history of addressing the financial hardship of DGA members with compassion and discretion. “DGA members everywhere are ...