Purchase this and other timeless New Criterion essays in our hard-copy reprint series. Not so at the Teatro alla Scala in Milan, where the opera premiered in 1831. Prior to its welcome new production, ...

Thomas Mann openly converted from a chauvinistic rejection of all politics in Reflections of a Nonpolitical Man (1918) to ...

On The First King of England: Æthelstan and the Birth of a Kingdom, by David Woodman.

The next day’s email blast from the Times reported “Officials Recover Rifle and Seek Gunman ‘of College Age’ in Charlie Kirk ...

On new productions of Richard Strauss’s Die Liebe der Danae and Fauré’s Pénélope, at the Bavarian State Opera.

Wagner’s Ring of the Nibelung, a mythical tetralogy with an ambition to relate nothing less than the creation and destruction ...

But on balance I think that the late Australian philosopher David Stove was right: the leading characteristic of the Left it ...

Rusalka’s watery realm, accordingly, is a basement with leaky pipes, where she is kept with other creatures, perhaps her ...

James, an admirer of Sargent’s art, shared the painter’s extensive travel experience in Europe and polyglot qualities. They ...

September” in the book’s calendar belongs to this period, since it includes the arms of the forty-day tournament celebrated ...

The opera’s plot, which is based on the assassination in 1792 of King Gustav III of Sweden at, yes, a masked ball, proved almost comically problematic. Gustav, whose sexuality was and remains in some ...

The bloodthirstiness of the Left is not new by Roger Kimball The Editor & Publisher of The New Criterion reflects on Charlie Kirk’s assassination for The Spectator World.