Spice up your 2-5-1 voicings with this altered dominant voicing! Ready to work one on one with me and start taking your jazz piano journey seriously? Then DM me “JAZZ” on my IG #piano #pianist #improv #improvisation #pianoimprov #pianoimprovisation #jazz #jazzimprov #jazzpiano #jazzpianist #jazzimprovisation #jazzpianolessons #jazzpianolesson #pianolessons #pianolesson #musiclessons #musiclesson #musictheory #musictheorylessons
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Spice up your 2-5-1 voicings with this altered dominant voicing! Rea…
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When you've become proficient with "functional" spread voicings, the next step you should take is to upgrade the one chord quality that makes jazz stand out from other genres: dominant chords. Specifically, you need to upgrade to dominant 13th chords - adding a 13th and a 9th wherever possible. Your sound will truly take a 180 for the better once you make this upgrade. Also, it will prepare you for the final boss of dominant chords and the many configurations that come with it - altered dominant
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When you've become proficient with "functional" spread voicings, the …
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Charlie Tran • Jazz Piano Coach | If you're ready to create that full, rich sound while playing solo piano.. to fill up the entire room and demonstrate command over the wide... | Instagram
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Charlie Tran • Jazz Piano Coach on Instagram: "We all want that full sound when playing solo piano. Well, good solo piano playing needs it. These are called spread voicings, and if you just learn them at the "functional" level, then you can achieve a full sound from the beginning. That's because the notes are spread out in a way that covers a wide range, thus producing a full sound. The main issue I see with learners is that they start trying to apply extensions way too soon - the 9, 11, and 13.
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Charlie Tran • Jazz Piano Coach on Instagram: "We all want that full s…
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Charlie Tran • Jazz Piano Coach on Instagram: "Spreading out the notes of a chord results in what are known as spread voicings, and having my spread voicings memorized allows me to easily sightread lead sheets. Once you've applied spread voicings to enough tunes, you'll eventually notice that you get quicker until one day you're just able to play the right voicing for any given melody note over any given chord quality. And then you're sight reading. So, if you want a step-by-step approach to lea
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